Thursday, 5 August 2010

The (real) Music of the Spheres...

One or two of the blogs I follow often feature space-related posts (you know who you are!) which I really enjoy, having grown up in the era when manned (they were all men then) space exploration consisted of more than orbiting the Earth (I speak as someone whose parents got him out of bed as a pre-school child to see the first Moon Landing in July 1969!). Space exploration was a significant part of the zeitgeist back then - even mashed potato adverts used alien space explorers to advertise their wares:





("For mash, get Smash".
Probably a copyrighted image, but the BBC website didn't quote any with this picture)


And I guess that, as a young child, my early exposure to NASA's finest was the reason I was so obsessed with the Clangers (if you are under 30, think "knitted space people living on a bare rock planet, fed green soup from a crater by a soup dragon"). One element of the Clangers that resonated with my young mind was frequent references to "the music of the spheres", a haunting space concert that drifted through the ether (it was a vacuum, so how did that work?) and was enjoyed, concert-like by the assembled Clangers. It was only when I was much older that I realised this was a very grown-up reference for a children's programme, as the Music of the Spheres is a ancient philosophical concept, Musica universalis (literally universal music) in which the relative proportions in the movements of celestial bodies—the Sun, Moon, and planets—are regarded as, in th words of Wikipedia's entry, "a form of musica (the Medieval Latin name for music). This 'music' is not literally audible, but a harmonic and/or mathematical and/or religious concept." Perhaps an ancient Greek idea to start with, it has been persistent in history - Apparently, Johannes Kepler used the concept of the music of the spheres in his Harmonices Mundi in 1619, where he related astrology and harmonics.

Although the Music of the Spheres was not intended literally to be music, this is not so in the Clangers! Their ears were tuned to hearing the music of the spheres and, in the very final episode of the Clangers (which you can see below or here on Youtube), three Clangers in a wonderful "music boat" spacecraft assemble a load of instruments and play a concert of the music of the spheres in space. Heady stuff for a young mind already immersed in Apollo missions!



So, with all that background and baggage, I fell hook, line and sinker in love with the Solar Beat project, a website produced by White Vinyl Design, and which looks like this:





Solar Beat transforms the Solar System into a music generator, a literal Music of the Spheres - each planet is assigned a different note, which is played each time it completes a circuit and, as each takes a different time to complete a circuit around the Sun, the resulting tunes are variable, occasionally melodic and pleasing! You can play with Solar Beat here. And I say "play" as you can change the rotation rates to slow down or speed up the generation of notes. I sometimes just set this running in the background while I am working on the PC, running quite slowly and producing not-quite random music of the spheres!


Incidentally, the Music of the Spheres featured in David Tennant's Dr Who, in a short episode of that title (see below), created in 2008 to support a Dr Who music event at the Albert Hall as part of the Proms (distinguished for Dr Who fanboys and fangirls, if you watch all seven minutes of it, by closing with the original, and better, Ron Grainger version of the theme tune!!!).

Saturday, 31 July 2010

New-kelele! Ukulele

Here's some pictures of my new (and first ever) ukulele - bought yesterday from Scayles Music in Edinburgh. It is a Mahalo U320T Tenor Ukulele (£69.99, with hard case). Looking forward to happy hours of strumming - and just the right size for taking in the campervan too!




Here it is with the grand hard case that came with it





Bonny wee thing!

Thursday, 29 July 2010

Little Green Men!

Since I'm on the theme of wood and woody things, this seems like a good opportunity to post up our collection of Green Men... I love the Green Man image and the harking back to earlier times, maybe even way back to the early animist religions, the worshippers of which created explanations for the vagaries, the bounty and the unpredictability of their world through sprits living in the tree, rocks, bird, animals, etc, all around them. Wikipedia says: "Found in many cultures around the world, the Green Man is often related to natural vegetative deities springing up in different cultures throughout the ages. Primarily it is interpreted as a symbol of rebirth, or "renaissance", representing the cycle of growth each spring."

We have gathered the following Green Men heads and faces over the last few years, some a bit classy, some a bit tacky!












The moss grew on this one all on its own!




Er.. that's it...

A fine sequence!

I like the progression from raw material to processed fuel, drying nicely for the winter, in these pictures from my garden! The energy of sunlight captured and stored for future use...

Sycamore in big bits

The executioner's block and axe








A good day's work done!

Monday, 26 July 2010

Signs of the times: Summer #9

More comparisons between the British countryside of today and that from 1959-1961 in the paintings of Charles Tunnicliffe in the Ladybird "What to look for..." series of books.


"Whole ages have fled and their works decayed,
And nations have scattered been;
But the stout old Ivy shall never fade,
From its hale and hearty green.
The brave old plant, in its lonely days,
Shall fatten upon the past:
For the stateliest building man can raise
Is the Ivy's food at last.
Creeping on where time has been,
A rare old plant is the Ivy green."

From: Charles Dickens "The Ivy Green"


(Copyright: Ladybird Books)

Summer Picture 9
A sunny day at the foot of a wall, we see a song thrush cracking open a snail shell on a rock “anvil”, while a common lizard and two Wall butterflies bask in the warm sunlight. A number of plant species tolerant of the dry conditions and poor soil conditions of wall environments frame the picture: some ivy (on the right) and wall-pennywort (in the centre) are creeping up the wall, while some herb-robert with its pink flowers hangs down from the top-left and the yellow flowering smooth hawksbeard is growing up from the bottom left.


I looked at the recent fate of the song thrush (Latin name: Turdus philomelos) population in Britain in Spring post number 14. In that, we saw that is a species "with mixed fortunes over the 50 years since the Ladybird book was produced. Song thrush abundance in the UK declined by 49% between 1967 and 2007, with a slight increase again in the final years of that period". I would say that I have, in the past 3 to 4 years, begun noticing both an increase in the number of song thrushes in this area and also an increase in the number of song thrush “anvils”, stones or slabs on the ground, surrounded by fragments of land snail shells. I also reported, in Summer post number 5, that since song thrushes returned as regular visitors to my garden about three-four years ago, I have been finding ramshorn snail shells from my pond, smashed open on stepping stones by the resident song thrushes. I came on this song thrush anvil in the middle of the path around my local park, so this is just a poor quality opportunistic mobile phone photo. Nevertheless, you can see the fragments of snail shells surrounding the rock in the centre.


The Common Lizard (Latin Name: Lacerta vivipara) is actually a widespread species across Britain and Ireland, preferring heathland and grassland habitats. The second half of the Latin name (vivipara) comes about as it is viviparous, giving birth to live young, unlike most other lizards which lay eggs. As a cold-blooded reptile, the common lizard is often seen basking in Summer in sheltered, sunny spots, such on a wall like this, to elevate its body temperature. You may be familiar with the survival trait shared by many lizard species, including the common lizard, of casting their tail when seriously threatened by a predator. The discarded tail continues to wiggle violently for a while, distracting the predator while the lizard makes good its escape. In due course, the lizard will grow a new tail. I had never seen this until the end of June this year when, on a footpath through a Scots Pinewood at the bottom of Cairngorm in the central Highlands of Scotland, our terrier Ella suddenly dived into a clump of grass, into which she continued to poke her nose, exhibiting signs of great excitement (definitely in hunting mode). I saw a common lizard briefly before it vanished into long grass. Meanwhile, Ella’s attention was drawn to the movements of the lizard’s tail which did indeed hold her attention as it continued to twitch sinuously. I felt sorry that the lizard had lost its tail but I would have been much more upset if Ella had killed a beautiful wild lizard, and it was fascinating to see this escape mechanism in action. It fooled Ella and she’s quite smart!


I’ve been unable to source any information on the trend in common lizard population or distribution since 1960, other than a vague suggestion that they are not as common as they used to be as a result of habitat loss due to development, and also that they are still common and widespread across Europe and not threatened. They are, by the way, also strongly protected by British law.

The Wall or Wall Brown Butterfly (Lasiommata megera) is not common in Scotland, being restricted only to Dumfries and Galloway, the Scottish Borders, a bit bizarrely remotely, on the Isle of Mull where it has recently been rediscovered. It has traditionally otherwise been common in Britain, prefers heathland and grassland habitats, open woodland and gardens, and characteristically likes to bask in the sun on open ground, on stones or on walls. There has, however been a dramatic and severe decline of inland populations since the 1970s. It has decreased both in distribution and in population sizes (as seen where populations have been monitored over the long term). The report on the State of Butterflies in Britain and Ireland identifies that there has been a decline of 38% of its distribution between the periods 1970-82 and 1995-2004, and its population has declined by 65% between 1976 and 2004. Research is underway to try to explain the decline. Despite the overall decline, there has been some minor expansion of the range of this species at the northern end, perhaps reflecting the effect of a warming climate.

The wall environment is a pretty tough one for flowering plants. Whatever soil might gather or be formed in cracks in walls is both likely to be in tiny pockets and also likely to be pretty poor in nutrients. Plants living in this environment probably also need to be capable of tolerating extremes, of drought, of cold and of desiccating winds. Both the ivy (Hedera helix) and the wall-pennywort (Umbilicis rupestris) have features of their biology that makes them well adapted to these conditions, such as thick, waxy leaves that reduce the loss of water during dry spells. The ivy is a well-known perennial evergreen climbing plant found all over mainland Britain, other than the highest mountain areas. The New Atlas of the British and Irish Flora says that its distribution is unchanged since the 1962 Atlas. In the Flora Britannica, Richard Mabey compiled six pages of information about the cultural, religious and historical beliefs about ivy and its uses, along with its central role in British Christmas greenery and rituals, “the high point of the ivy’s ceremonial year.”

The wall-pennywort, or navelwort is a conspicuous species on rocky, stony and wall habitats in Western Britain. In Scotland, it is largely confined to the south-west. I presume it is called navelwort due to the similarity of the leaves’ sunken centre point to that part of the human anatomy (well, at least if you are an “inny” rather than an “outy” belly-button). Its distribution was once wider – John Gerard’s 16th Century Herbal reported it as growing at Westminster Abbey. The New Atlas reports its distribution as unchanged since the 1962 Atlas.

The other two plants in the picture are not specifically wall dwellers. The herb-robert (Geranium robertianum) with its little pink flowers is a wild geranium species which is very common across all of Britain and Ireland, except for the Western and Northern Isles of Scotland. It lives on walls, on scree and shingle, in woods, gardens and other cultivated land, woods and along verges and paths. It has a smell a bit like acrid mouse-pee which, according to Flora Britannica, might be the source of its common name, a possible ancient association with “the house goblin, Robin Goodfellow” of English folklore (see this Wikipedia entry for a useful expansion of that reference. The New Atlas says there is very little evidence of any change in its distribution since the 1962 Atlas.

The slightly dandelion-like yellow flowers on the left of the picture belong to the smooth hawk’s-beard (Crepis capillaris), a very common coloniser of nutrient-poor grasslands, wasteland, walls, lawns and rocky habitats. There is no historical, cultural or other information about this species in Flora Britannica. As well as indicating that it competes very poorly in habitats other than the open ones listed above, the New Atlas says that its natural range is stable since that published in the 1962 Atlas, although it may also be spreading through colonising suitable man-made habitats (e.g. spoil heaps and verges).

Friday, 23 July 2010

Ukelele maestros

Forget George Formby. This guy is absolutely amazing. After you've watched this, don't you ever, EVER tell me the ukelele isn't a serious instrument...

Wednesday, 21 July 2010

Who's that girl?

When on a recent holiday staying with family in London, we took Ella for her her first visit to the capital of yuppy cool that is Clapham. We joked with O's Mum that Ella had, like Pussy Cat, Pussy Cat, come down to London to see the Queen. So, imagine our surprise when...




But wait ... who's that in the upstairs window ...?

Surely not ... it can't be... but it is...
And you know, she never even waved back...